• Moda. La coleccion del instituto de la moda de Kyoto. Varios. Ed. Taschen
• The cut of women’s clothes, 1600-1930. Nora Waugh. Ed. Faber and Faber
• Corsets and Crinolines. Nora Waugh. Ed. Taylor & Francis Ltd
• Seventeenth and Eighteenth-Century Fashion in Detail. Avril Hart, Susan North. Ed. V&A Publishing
• Patterns of fashion: v.1. Janet Arnold. Ed. Pan Macmillan
• IMATEX. Centre de documentacio i museo textil. (http://imatex.cdmt.es/)
o Jubon Ref:11531
o Cotilla Ref:11882
o Cotilla Ref:11883
o Cotilla Ref:11884
o Jubon Ref:11530
• Catalogo Museo del Traje CIPE. http://museodeltraje.mcu.es/
o Polonesa Inv. CE000592
o Polonesa Inv. MT000905
I finally was able to use pins to close the front of the polonaise, I’m really happy! 😀
The sleeves were easy to do and set when I finally decided to stop trying to adapt an existing pattern and draped them. I had to make them a little wider than I wanted so I could pass the hands, and I used beads and loops instead of buttons and buttonholes in the cuffs, so they looked part of the decorations.
Ref. 11531d - CDMT
The decorations are little crocheted chains made with silver embroidery thread, with beads instead of the little crocheted flowers in the original. Obviously my design is not so complicated as the one I used for inspiration 🙂
Tomorrow I’m going to do the photos for the entry, I’ll post the better here and the rest in mi flickr. Now just wish me luck with the contest! 🙂
The stays are finished (tomorrow I’ll post photos of the lining on my flickr account), and I’ve begun working in the last piece: the polonaise. The photo on the left is my model for this, and it’s been difficult finding a pattern that resembles it, so I’ve done it myself. I first draped the lining, but I made a mistake and cut it without seam allowance, so I only could use it to make a pattern. Then I made a pattern in paper for the rest of the polonaise and tried it on the doll. It was perfect except for the lengt and now I only have the pattern for the sleeves left to do, so… back to work!
I just finished the petticoat. It gave me some problems, because I used the pattern for the underpetticoat, but I forgot that it was shorter. Thankfully, it has a flounce and it gives it the length I need.Now I’ll finish the stays before I continue with the bodice, so I can get a perfect fit.
I only have one concern: ¿would the false rump be able to support all the weight of the three layers?
I finished the underpetticoat. I can’t believe it looks so good! I had to use powder blue ribbon for the front tie because I ran out of white, and the result is very nice.
In the detail photo you can see how I attached the ribbon to the underpetticoat. The fabric I used unravels like mad, but I didn’t want the extra bulk I’d have with a hem, so I cut it and whip stitched ribbon and fabric together. The detail pic doesn’t look very neat, but in reality it looks better.
I had finished the two front panels of the definitive stays when I began to feel bored and decided to use the mock-up to continue working in the rest of the garment. I’ve already finished the false rump or “cul de France” (that name makes me giggle like a kid) and have well advanced the underpetticoat.
I’m using satin ribbon for the ties in the false rump and underpetticoat to reduce bulk.
I’ve also begun to give some thought to the decorations. I’m thinking about making some braided cords with silver embroidery thread and lilac beads I have in my stash for the shoulders.
This is the first design for my project, it only lacks the decorations. I’m going to use the pattern for the style of polonaise that doesn’t have waist seams, to reduce the bulk there, that will be enough with all the layers this gown has.
Now I’m working on pattern for the stays. I resized the pattern for the half boned stays from the pag.16 of Corsets and Crinolines, printed it, joined the pieces and tried it on, and it fits well, so I’ll do a mock-up with boning (cable ties, they are cheap and easy to find) to be sure before I cut the good fabric.